https://www.black-blossoms.online/the-journal daily 0.75 2025-10-30 https://www.black-blossoms.online/the-journal/holding-ground-caribbean-visions-in-britain monthly 0.5 2025-10-22 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1761051695547-JYYHBNEX1LORD5D571KS/554538101_18525689740020568_5505100031035553496_n.jpg The Journal - Holding Ground: Caribbean Visions in Britain https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1761051695764-EYL7SMMRIJ8CHCHT4GKP/556720198_18525689749020568_4493643161420580141_n.jpg The Journal - Holding Ground: Caribbean Visions in Britain https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/3d4b4819-4593-4c15-b111-3562ec33be19/Maracas+Park+2025.png The Journal - Holding Ground: Caribbean Visions in Britain - Make it stand out Emily Alice Mitchell ‘Maracas Park’ 2025 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1761055801530-LS4Q9C1GDN5WLTJFHP4M/550746006_18523576453020568_7263729786749877111_n.jpg The Journal - Holding Ground: Caribbean Visions in Britain https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1761055800276-DEB1O0VVY87DR7ZHVR3Q/550354599_18523576468020568_1209577417095447312_n.jpg The Journal - Holding Ground: Caribbean Visions in Britain https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1761055800372-PFJ85L9ZLPYWD0JZU5M4/550596210_18523576471020568_8360226848727153997_n.jpg The Journal - Holding Ground: Caribbean Visions in Britain https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/29902a97-887c-4b0d-9591-9df0fa7d12ef/Sorrow%2C+SE25.png The Journal - Holding Ground: Caribbean Visions in Britain - Make it stand out Yvadney Davis Sorrow, SE22’ Oil, wallpaper and beads on canvas [61 x 45cm] https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/78055d79-ceea-4dfe-bf40-dbf776cc4807/1-copy.jpeg The Journal - Holding Ground: Caribbean Visions in Britain - Make it stand out Emily Alice Mitchell "They who swim within the pilgrimage of my blood." (2024) [Two-channel moving image installation] 44 minutes 17 seconds https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/ef63e54d-ea3d-478a-82b0-a0f105bb05ec/P80291_10.jpg The Journal - Holding Ground: Caribbean Visions in Britain - Make it stand out Neil Kenlock, ‘Black Power school bags’ Life Between Islands: Caribbean-British Art 1950s – Now, Tate Britain. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/20e7b395-f39b-4548-a983-1035fd7b1ff4/Yvadney%2BDavis%2BDaylight%2BCome.png.webp The Journal - Holding Ground: Caribbean Visions in Britain - Make it stand out Yvadney Davis ‘Daylight Come’’ Oil, wallpaper and beads on canvas, 61 x 45cm https://www.black-blossoms.online/the-journal/black-blossoms-studio-residency-supported-by-kudzanai-violet-hwami monthly 0.5 2025-01-21 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/2def9d7b-7443-4021-9f47-e780c4df2dc2/Screenshot+2025-01-21+at+18.33.54.png The Journal - Black Blossoms Studio Residency supported by Kudzanai-Violet Hwami. - Make it stand out Yvonne E Maxwell ‘Peckham Rye,’ 2022 Website: www.yvonne-maxwell.com Instagram: @yvonne.emaxwell https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/480bc9dc-0860-4ca2-a182-f53da452cc4c/459ae7bc86cbcbf8e3554cbe6bfeb61c.jpg The Journal - Black Blossoms Studio Residency supported by Kudzanai-Violet Hwami. - Make it stand out Jemila Isa, ‘Seven,’ 2024, Oil on paper. Website: www.jemilaisa.com Instagram: @jemilaisa https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/8993b772-6163-4976-b8bf-ed925106e912/image-1.jpg The Journal - Black Blossoms Studio Residency supported by Kudzanai-Violet Hwami. - Make it stand out Kudzanai-Violet Hwami, ‘Yellow Fever,’ 2016, pencil and watercolour on canvas. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/55da262c-42b1-4050-b0d3-ede4329bbdc4/screen_shot_2023_05_08_at_12_36_53_pm_png.png The Journal - Black Blossoms Studio Residency supported by Kudzanai-Violet Hwami. - Make it stand out Ariel Collier, I Want To Be In Your Space, 2023. Collage on handmade paper. Website: www.arielcollier.com Instagram: @arieltheartisan / @135homestudio https://www.black-blossoms.online/the-journal/uk-art-organisations-have-the-power-to-combat-racism-and-fascism monthly 0.5 2024-08-07 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/8be12165-e12c-40a1-a087-e3a6b3bd0a41/keith-piper_5.jpg The Journal - UK Art Organisations have the Power to Combat Racism and Fascism. - Make it stand out Keith Piper, ‘The Four Horsemen of the Apocalypse,’ 1984 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/303c85d9-1d96-4705-ae05-011efc9c33b1/TATE_TATE_T13887.jpg The Journal - UK Art Organisations have the Power to Combat Racism and Fascism. - Make it stand out Eddie Chambers, ‘Destruction of the Far Right,’ 1979 - 1980 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/20680c4a-672b-46cd-9389-de718b2fc075/Chila-Burman-1.jpg The Journal - UK Art Organisations have the Power to Combat Racism and Fascism. - Make it stand out Chila Kumari Singh Burman, Convenience, Not Love, 1985 https://www.black-blossoms.online/the-journal/thecollectivemakers-rmg monthly 0.5 2023-06-19 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/4e7c58b8-a070-454c-ba65-75cef57cc3f7/A54_2268.jpg The Journal - The Collective Makers; The Curatorial Duo Breaking Barriers in their Borough of Greenwich and Beyond. - Make it stand out Joseph Ijoyemi and Lison Sabrina Musset. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1686821303727-WE9N35H5BCDIRBD25TSQ/CR_1_Giya+Makondo-Wills_2023+.jpg The Journal - The Collective Makers; The Curatorial Duo Breaking Barriers in their Borough of Greenwich and Beyond. - Giya Makondo-Wills, 'Constant Ritual,' 2020 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1686821305514-S3060W7VJEGSG0NCJ0YF/CR_3_Giya+Makondo-Wills_2023.jpg The Journal - The Collective Makers; The Curatorial Duo Breaking Barriers in their Borough of Greenwich and Beyond. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/56b73ded-e73d-4f01-b9d8-cdda666cac37/RMG+Promotional+Banner+%28Animated%29.png The Journal - The Collective Makers; The Curatorial Duo Breaking Barriers in their Borough of Greenwich and Beyond. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/d021c2d7-6abd-475a-ad1d-4730a871db36/Pour-me-Water--Pure-Water-IV.jpg The Journal - The Collective Makers; The Curatorial Duo Breaking Barriers in their Borough of Greenwich and Beyond. - Make it stand out Dafe Oboro ‘Pour Me Water, Pure Water’ 2020 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/f1037815-02fd-4d17-939a-511eb4bf418c/image-asset.png The Journal - The Collective Makers; The Curatorial Duo Breaking Barriers in their Borough of Greenwich and Beyond. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/12cb4e13-5b85-478f-a48a-876100fe1143/tray-tray-ko-6.png The Journal - The Collective Makers; The Curatorial Duo Breaking Barriers in their Borough of Greenwich and Beyond. - Make it stand out Seba Calfuqueo ,‘TRAY TRAY KO,’ 2022 https://www.black-blossoms.online/the-journal/marlene-smith-and-ronan-mckenzie monthly 0.5 2023-10-27 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/408a3ac2-f1ea-4970-87ba-7b2f023d108d/Artworks%2C+Space+and+Press+Shots-13.jpg The Journal - Finding Balance: Marlene Smith and Ronan Mckenzie discuss Cultivating Spaces for our Narrative and the need for Financial Freedom. - Make it stand out BLK Art Group Archival Material on display at ‘The More Things Change…’ exhibition, 2023. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/12a62030-1793-4df3-983c-b4bb5481b5f4/HomeWata-28.jpg The Journal - Finding Balance: Marlene Smith and Ronan Mckenzie discuss Cultivating Spaces for our Narrative and the need for Financial Freedom. - Make it stand out Inside of HOME by Ronan Mckenzie, located at Hornsey in North London, 2020 - 2023 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/8fb225a0-9eaf-49d2-ac0e-e5ad7e24c583/Artworks%2C+Space+and+Press+Shots-57.jpg The Journal - Finding Balance: Marlene Smith and Ronan Mckenzie discuss Cultivating Spaces for our Narrative and the need for Financial Freedom. - Make it stand out Marlene Smith with her work ‘Good House Keeping,’ 2023 at “The More Things Change…’ exhibition in Wolverhampton Art Gallery. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/0a4e4a41-08be-42dc-aa23-a93f56995ad3/Artworks%2C+Space+and+Press+Shots-26.jpg The Journal - Finding Balance: Marlene Smith and Ronan Mckenzie discuss Cultivating Spaces for our Narrative and the need for Financial Freedom. - Make it stand out Artist Marlene Smith with ‘The More Things Change…’ exhibition co-curator, Dr Sylvia Theuri https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1685961612793-YNF7OLA12YW77JQPQ4FP/A+%28Dress%29+Rehearsal+2014.jpg The Journal - Finding Balance: Marlene Smith and Ronan Mckenzie discuss Cultivating Spaces for our Narrative and the need for Financial Freedom. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1685961612718-4F9TXZ7Z0G1K8W61E3I2/A+Dress+Rehearsal+2014+Image+1.jpg The Journal - Finding Balance: Marlene Smith and Ronan Mckenzie discuss Cultivating Spaces for our Narrative and the need for Financial Freedom. - Marlene Smith, 'A Dress Rehearsal,' 2014 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/c8b29d37-f08e-4a90-85b0-10a13b4f3cd0/Screenshot+2022-05-18+at+09.16.23.png The Journal - Finding Balance: Marlene Smith and Ronan Mckenzie discuss Cultivating Spaces for our Narrative and the need for Financial Freedom. - Make it stand out Inside of HOME by Ronan Mckenzie, located at Hornsey in North London, 2020 - 2023 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/5ec4d852-8c4f-48f6-bbe8-b63a6d9c853e/I+See+In+Colour+Cece+Phillips.jpg The Journal - Finding Balance: Marlene Smith and Ronan Mckenzie discuss Cultivating Spaces for our Narrative and the need for Financial Freedom. - Make it stand out Cece Phillips, ‘I See In Colour’ installation view of her solo exhibition at Home by Ronan Mckenzie https://www.black-blossoms.online/the-journal/dear-young-black-artist monthly 0.5 2023-05-10 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/6874b96b-2521-49b5-8f99-46c8b35c7045/1314460.jpg The Journal - Dear Young Black Artist - A Letter from the Future. - Make it stand out Marlene Smith, “Do, Please. A Happy Ending” (1987) https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/c1e4a50a-dba5-4345-a6d6-2226139da0bf/PaintBox.jpg The Journal - Dear Young Black Artist - A Letter from the Future. - Make it stand out Keith Piper, ‘Pan-African Paintbox,’ https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/f947c9f3-6b9e-4e3a-b93b-7732b57256bb/82convention.jpg The Journal - Dear Young Black Artist - A Letter from the Future. - Make it stand out Leaflet of the First National Black Art Convention 1982 Programme https://www.black-blossoms.online/the-journal/black-womxn-at-rest monthly 0.5 2023-05-04 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/57ac935e-931d-4f93-aada-df4d5921edd4/IMG_4103.JPG The Journal - Black Womxn at Rest - Make it stand out Artist Bokani and Birungi Kawooya in front of ‘Black Womxn at Rest’ mural on Freston Road. ©James Marshall https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1683040537502-60T1I2TEYPE62NYWCWRR/Final+-+Freston+Road+Mural+%282%29.jpg The Journal - Black Womxn at Rest https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1683040534040-A74M161OJDTXAYD6GAXD/Final+-+Freston+Road+Mural+%281%29.jpg The Journal - Black Womxn at Rest https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/c1467ac8-222f-4cc0-b727-93ce5a0741c3/WNrqc0FQ.jpeg The Journal - Black Womxn at Rest - Make it stand out Bokani and Birungi Kawooya: ‘Black Womxn at Rest’ mural on Freston Road. ©James Marshall https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1683040898600-ZOUIZCUP3OXHVV7D7DL7/Final+-+Freston+Road+Mural+%283%29.jpg The Journal - Black Womxn at Rest https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1683040899973-JAMTD9JRLQI9X3ZIMF03/Final+-+Freston+Road+Mural.jpg The Journal - Black Womxn at Rest https://www.black-blossoms.online/the-journal/the-minimal-self-the-year-i-arrived monthly 0.5 2023-04-02 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/c1c46110-569a-4cbf-b062-19004e5cb628/0f7ce3d9-9953-4b0f-904a-bf944803b5e1.JPG The Journal - The Minimal Self: The Year I Arrived - Make it stand out Janine Francois praying alongside the artwork by Emma Soyer ‘Two Children with a Book,’ 1831 at Tate Britain’s Tate Late curated by Black Blossoms. Photo by Tolu Elusade. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680312957617-X44KV01RFNRFCTWLFW2G/Tate+Lates_TB_March_2023_204.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680453892038-QFEZLNZHJ5J6ZQJQSBD7/Tate+Lates_TB_March_2023_067.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680312782845-FVG0E56WOFXIJ8W9KA4Y/Tate+Lates_TB_March_2023_034.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680312807119-DHN75UQ4D8H9NEH4AFJX/Tate+Lates_TB_March_2023_055.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680312844719-7VPXPCIWYSNAWHBB565U/Tate+Lates_TB_March_2023_089.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680312891513-O418EKGO6SUGSNAMBMQI/Tate+Lates_TB_March_2023_121.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680312912409-PI01DEG6A4YX3PDRNMGD/Tate+Lates_TB_March_2023_149.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680313010201-QM7Z3NH60QTU3S3X6H3K/Tate+Lates_TB_March_2023_254.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680313120576-I3J8FYVN41ZRT24CSMEJ/Tate+Lates_TB_March_2023_118.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680313142153-K2IZPLDJ34DKVMTU6B41/Tate+Lates_TB_March_2023_113.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680313130776-418LB0BZSWSU0DJ7L9EA/Tate+Lates_TB_March_2023_112.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680313171280-OCA4RFR8PSCGU4NT9KGX/Tate+Lates_TB_March_2023_060.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680314627245-MMMCF6A960Y0TSXRM5HF/Tate+Lates_TB_March_2023_053.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680446177164-9BFBXU7VDMIDKCLXLSI9/Tate+Lates_TB_March_2023_015.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680446229367-D6XABP2YI9Y355BG5QXP/Tate+Lates_TB_March_2023_043.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680446255235-SSJ18R9UPM5SO7J53ALS/Tate+Lates_TB_March_2023_046.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680446263355-IBOY3422KABEG6R6X91T/Tate+Lates_TB_March_2023_047.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680446271869-QWVPKP808Y6Y8UDQUA0T/Tate+Lates_TB_March_2023_049.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680446280868-CJS4BYJBTHUBT0RNDE2O/Tate+Lates_TB_March_2023_054.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680446411382-4F4XKR4U8K79IFR3N1JI/Tate+Lates_TB_March_2023_213.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680446433691-MNM45B1E6VQR6I4XWL37/Tate+Lates_TB_March_2023_248.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680447591769-DSVMUAYBPB3E8FSN1U9C/Tate+Lates_TB_March_2023_155.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680447610627-DET7ZXJANR3X0R6PAYDZ/Tate+Lates_TB_March_2023_162.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680447630138-CXXW5VQZ4SMWQWRHRCU7/Tate+Lates_TB_March_2023_169.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680447567591-P6GEYPIX1EG804W8J8GB/Tate+Lates_TB_March_2023_139.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680447579998-9RQK0OQ0X0PERIVH4VT1/Tate+Lates_TB_March_2023_147.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680447618156-6EVU29B173M7V5UKJ9WS/Tate+Lates_TB_March_2023_165.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680447641601-U7PPRQXQY19M2E79CMAC/Tate+Lates_TB_March_2023_172.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680447707974-MYDYAIN4IS356OUT413L/Tate+Lates_TB_March_2023_178.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680447675013-MN3R3Q61TB4AVE4TWHQL/Tate+Lates_TB_March_2023_180.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680447685991-OKESZ2FTDDT4WQWGAGSJ/Tate+Lates_TB_March_2023_185.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680451547880-QFEV0IR5TBS5DVMPCNCA/Tate+Lates_TB_March_2023_011.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680451650543-9D0ICS9M0K4Q0KWFKEZ6/Tate+Lates_TB_March_2023_189.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680451572077-IMPIS6WUOSYUOKSNNTL8/Tate+Lates_TB_March_2023_048.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680451637332-YC10OTWX3K3W8VKE03L1/Tate+Lates_TB_March_2023_187.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680449815695-OLGGEMAW1H2L2IIDYQR2/Tate+Lates_TB_March_2023_038.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680449391777-S0DAV8GTRQ9MJOKR9VNH/Tate+Lates_TB_March_2023_102.jpg The Journal - The Minimal Self: The Year I Arrived - Symeon Brown and Lisa Anderson in conversation at Tate Britain's Tate Late curated by Black Blossoms. Photos: Courtesy Tate/Eugenio Falcioni. Symeon Brown and Lisa Anderson in conversation at Tate Britain's Tate Late curated by Black Blossoms. Photos: Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680314894175-AWQRLIT28M177NQQBNHJ/Tate+Lates_TB_March_2023_008.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315099613-86PWW6W4288L2YXP62VE/Tate+Lates_TB_March_2023_251.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315024003-XF0U75Y0RWK00YSNGVKZ/Tate+Lates_TB_March_2023_132.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315028961-KK920K6GWB4DPSEI64PZ/Tate+Lates_TB_March_2023_133.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315043100-I4MXVNXNT3F3XL7RMMXH/Tate+Lates_TB_March_2023_221.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315056396-T3J7DP22O4LP8VF546O6/Tate+Lates_TB_March_2023_225.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680454003998-DTANDGTIA4TBZL9OHE3T/Tate+Lates_TB_March_2023_217.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315047575-T3QSENRM7XVRYA7H3TD4/Tate+Lates_TB_March_2023_223.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680314903730-R1J1LZSTDB9SFNQ4FD8I/Tate+Lates_TB_March_2023_010.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315072368-YYI534DMR9FQV7R2IS5A/Tate+Lates_TB_March_2023_241.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315000509-AW0926632JHHRI3GG01Q/Tate+Lates_TB_March_2023_131.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315074976-WN14MJJ0TUKR8IOI2N1I/Tate+Lates_TB_March_2023_243.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315084348-NBXKKD93JWE92TOOJY8T/Tate+Lates_TB_March_2023_246.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680315091923-1L3173HAN5TKQRNAWV3F/Tate+Lates_TB_March_2023_251.jpg The Journal - The Minimal Self: The Year I Arrived - Rebecca Bellantoni ‘Condition the roses, accept the vision. C.R.Y’ (Installation View and Performance at Tate Britain Tate Late curated by Black Blossoms). Photo Courtesy Tate/Eugenio Falcioni. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680454018360-RYGC19SGOLRO02BGOYN2/Tate+Lates_TB_March_2023_227.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680454069279-CZFWSQNERTE7Q3PAFXUU/Tate+Lates_TB_March_2023_218.jpg The Journal - The Minimal Self: The Year I Arrived https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680454079986-M024ETXTASEN07HQRKUH/Tate+Lates_TB_March_2023_221.jpg The Journal - The Minimal Self: The Year I Arrived https://www.black-blossoms.online/the-journal/a-conversation-with-sonia-boyce-and-her-daughters-maya-and-aarony-bailey monthly 0.5 2023-03-21 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/caf8d654-f82a-4e44-9140-8b00f021c84b/35mm+2-032.jpg The Journal - The Importance of Listening and Learning Across Generations: A Conversation with Sonia Boyce and Her Daughters, Maya and Aarony Bailey.  - Make it stand out Sonia Boyce photographed by Aarony Bailey on 35m Film. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1679074428926-JOUBXL6UI2NAVNQEVE3E/35mm+2-030.jpg The Journal - The Importance of Listening and Learning Across Generations: A Conversation with Sonia Boyce and Her Daughters, Maya and Aarony Bailey.  - Photography by Aarony Bailey - 35m Film https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1679074442258-P5IFG5J6X9394UL2902B/35mm+2-034.jpg The Journal - The Importance of Listening and Learning Across Generations: A Conversation with Sonia Boyce and Her Daughters, Maya and Aarony Bailey.  https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/7db391b9-dd2a-489c-93b3-c5e0c5e30444/tempImageo5Bexd.jpg The Journal - The Importance of Listening and Learning Across Generations: A Conversation with Sonia Boyce and Her Daughters, Maya and Aarony Bailey.  - Make it stand out Sonia Boyce with her daughters, Maya Bailey (left) and Aarony Bailey (right). Location: Studio Voltaire’s Courtyard, 2023. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/79882dda-3a93-41a8-ba87-31b03a003f16/35mm+2-028.jpg The Journal - The Importance of Listening and Learning Across Generations: A Conversation with Sonia Boyce and Her Daughters, Maya and Aarony Bailey.  - Make it stand out . Aarony with her Mum Sonia inside Sola Olulode Studio at Studio Voltaire, 2023 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1679097242265-3NVNOAXE1RS3TACK4ONK/35mm+2-021.jpg The Journal - The Importance of Listening and Learning Across Generations: A Conversation with Sonia Boyce and Her Daughters, Maya and Aarony Bailey.  - Photography by Aarony Bailey - 35m Film https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1679097250836-77ZA28R659BR6RKRLTF5/35mm+2-023.jpg The Journal - The Importance of Listening and Learning Across Generations: A Conversation with Sonia Boyce and Her Daughters, Maya and Aarony Bailey.  https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/0d3a5e6a-28ea-477e-bda2-6d4fd33716e1/tempImageYaCRyj.jpg The Journal - The Importance of Listening and Learning Across Generations: A Conversation with Sonia Boyce and Her Daughters, Maya and Aarony Bailey.  - Make it stand out Sonia Boyce with her daughters, Maya Bailey (left) and Aarony Bailey (right). Location: Studio Voltaire’s Courtyard, 2023. https://www.black-blossoms.online/the-journal/kimathi-donkor-onepisodeseven monthly 0.5 2023-01-22 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1674387697482-GKHJ331EFE36L3F6AG11/collage_lb_image_page6_3.png The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Kimathi Donkor 'IDYL OF OSUN, IFE AND SANGO,' 2019, acrylic on linen, 79 x 64 cm. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1674387738446-6C3D8PW3D1H9HECJ634O/collage_lb_image_page6_5.jpg The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Kimathi Donkor 'LET US GO OVER' 2017, acrylic on linen, 80 x 100 cm. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/4219cd36-eb80-4b7b-b289-5f3c399954b1/MAXIMUS_HollandPark_BLACKBLOSSOMS_P1439909.jpg The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Make it stand out Kimathi Donkor in front of his painting ‘On Episode Seven’ at Holland Park Roundabout. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/86a8043a-dafe-44d2-b251-45f8b9648554/Screenshot+2023-01-19+at+00.35.26.png The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Make it stand out Dr Kimathi Donkor. Photo by David Poultney / UAL https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/b3098941-5cfe-4f08-a7cb-dc2393025f9f/collage_lb_image_page6_6.png The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - an extremely happy, peaceful, or picturesque period or situation, typically an idealized or unsustainable one. Kimathi Donkor, ‘CALL ME BLESSED’ 2016, oil and acrylic on canvas, 80 x 100 cm. Courtesy of the artist and Niru Ratnam Gallery. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1674083496783-U1KP69ECTZPKX31JJ6JD/collage_lb_image_page6_63.png The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Kimathi Donkor ‘BACCHUS & ARIADNE,’ 2004, oil on linen, 132 cm x 152cm. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1674082588339-6HDLH4S6N9MOMEOSJ4L6/collage_lb_image_page6_58.png The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Kimathi Donkor ‘UNDER FIRE: THE SHOOTING OF CHERRY GROCE,’ 2005, oil on linen, 121 x 182cm. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1673994944909-FPTTWL40DDNRLJHN2WHX/Kimathi-Donkor-DKUK-Credit-Rachel-Ferriman-37.jpeg The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Exhibition View: Kimathi Donkor 'idyls' 2021 - 2022 at DKUK. Photos by Rachel Ferriman. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1673994946589-C75VAOOTKQ5LL87L63B6/Kimathi-Donkor-DKUK-Credit-Rachel-Ferriman-38.jpeg The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Exhibition View: Kimathi Donkor 'idyls' 2021 - 2022 at DKUK. Photos by Rachel Ferriman. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1673995008181-ZGDBYADG3R4MNH9P9Q79/Kimathi-Donkor-DKUK-Credit-Rachel-Ferriman-39-2.jpg The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Exhibition View: Kimathi Donkor 'idyls' 2021 - 2022 at DKUK. Photos by Rachel Ferriman. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1673994948439-WQA3RNHJ2EXMCE9DI5XF/Kimathi-Donkor-DKUK-Credit-Rachel-Ferriman-41.jpeg The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Exhibition View: Kimathi Donkor 'idyls' 2021 - 2022 at DKUK. Photos by Rachel Ferriman. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/64b6b99c-7de9-4ff6-80c6-754ea0dcccbb/collage_lb_image_page6_2.png The Journal - Kimathi Donkor, Mastering a Painting Practice that Comes Directly From the Heart.  - Make it stand out Kimathi Donkor ‘On Episode Seven’ 2020, acrylic on linen, 64 x 79cm. Courtesy of the artist and Niru Ratnam Gallery. https://www.black-blossoms.online/the-journal/black-art-in-holland-park monthly 0.5 2022-07-13 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/d765d828-ded1-48f1-ba9e-aabb61fd7f81/Maximus_HollandParkRoundabout_P1103053.jpg The Journal - Black Art in Holland Park - Make it stand out Shannon Bono Standing in front of her artwork ‘Opposing Forces’ 2021, on Holland Park Avenue. https://www.black-blossoms.online/the-journal/the-salon-reminds-me-that-we-are-worthy-of-this-attention-the-intimacy-of-examination monthly 0.5 2022-07-03 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/d4dc75f2-3ea5-4481-93e2-35a3c7d8b5e8/+MMG0019+Madelynn+GREEN+2021_54261.jpg The Journal - The salon reminds me that we are worthy of attention and the intimacy of examination. - Make it stand out Madelynn Green ‘Special Offer,’ 2021. ©- Courtesy of The Artist and Almine Rech Gallery - Photo: Melissa Castro Duarte https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1656702085980-PCYL2EUSJF246CG5K4I2/9642DC5C-A940-472A-9540-CFCBEF57AE77.JPG The Journal - The salon reminds me that we are worthy of attention and the intimacy of examination. - Daisy Jones, 'Unweavable Truth' 2022, installation view at Dkuk Salon. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1656702057198-9YG3NU0WGOEL801KY1XO/7237D6BD-891A-40E8-88D8-2C5176A43DC8.JPG The Journal - The salon reminds me that we are worthy of attention and the intimacy of examination. - Daisy Jones 'Call Me Kelly' 2022, video still. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/d6fd0b0f-9431-4f9e-b3d7-f2599181baf8/Under-embargo-until-11-Nov-2021_5-more-minutes_Joy-Labinjo.jpeg The Journal - The salon reminds me that we are worthy of attention and the intimacy of examination. - Make it stand out Joy Labinjo ‘5 more minutes,’ 2021 Commissioned by Art on the Underground for Brixton Underground station. Courtesy the artist and Tiwani Contemporary https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/f47f6dd1-fa5b-4e4f-8d5a-723e85de021f/Screenshot+2022-06-28+at+13.37.50.png The Journal - The salon reminds me that we are worthy of attention and the intimacy of examination. - Make it stand out Black Hair Shop Zine, edited by Korantema Anymadu. https://www.black-blossoms.online/the-journal/cortiez-modernday-artperfomance monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/b1aaeb71-88de-41c7-be9e-ce9a9d76a1e7/image00005.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/e90b7ae5-97d1-4fff-8d15-b762154e0713/image00010.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/004aa6e1-96ea-4086-8ea3-4f9b68381e96/image00005.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. - Make it stand out Clint. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/983cfb56-0fab-487c-acb8-7d750b5313d5/Screenshot+2022-03-08+at+10.22.01.png The Journal - What We Witnessed Was Modern-Day Performance Art. - Make it stand out @clint419 via instagram stories https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/ac766d3b-e29a-41a6-887d-eed90035ba94/image00007.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1646739264683-HIRELKWRRNHUH60MCGLE/image00008.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1646739272590-S2Y68GWK8FZAPXOIJWG5/image00009.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/99d9a12d-afd6-4b89-af8e-eb0c57805542/image00006.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/df163255-5d49-4807-b139-75270fda0a06/image00003.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. ’Cortiez Rules The World ’CRTZ RTW’ https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1646735864619-1SVTBO1P8AIRYEEM8Q3M/image00004.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1646735879822-LK7C3QG51UAG920AVGCO/image00002.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/6e9d5f85-2e2b-43a3-8694-7154f0522ba0/image00001.jpeg The Journal - What We Witnessed Was Modern-Day Performance Art. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.black-blossoms.online/the-journal/blk-bxy-joy monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/26ac66aa-06b7-481a-9be6-24c138627dfd/NICO+FROEHLICH_+South+of+the+River_72dpi.jpg The Journal - Destinie Paige on curating an exhibition that redefines and challenges preconceived ideas on coming from ‘Endz.’ - Make it stand out Nico Froehlich – South of the River https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/7dbbdbc5-fd94-4c53-ae47-29463a73bf2d/RYAN+PRINCE_Can+You+Sit+For+Me_Younger+Brother+%28Diddy%29_72dpi.jpg The Journal - Destinie Paige on curating an exhibition that redefines and challenges preconceived ideas on coming from ‘Endz.’ - Make it stand out Ryan Prince – Can You Sit For Me Younger Brother (Diddy) https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1645563323284-Y9AJXG4BQ51V78BQ4YZD/CIAN%2BOBA-SMITH_Concrete_Horsemen_72dpi.jpg The Journal - Destinie Paige on curating an exhibition that redefines and challenges preconceived ideas on coming from ‘Endz.’ - Cian Oba-Smith – Concrete Horsemen https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1645562461299-10YFGTALHUZUWYHO1MOY/JOEL+CLAUDIO_+it%27s+Our+Call_Photography+by+Matt+Miller_72dpi.jpg The Journal - Destinie Paige on curating an exhibition that redefines and challenges preconceived ideas on coming from ‘Endz.’ - Joel Claudio – It’s Our Call (Photography by Matt Miller) https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/826ad26d-63bf-486d-95eb-729e7db6f779/TOLU+ELUSADE_Beyond+Kiki+Ball+230721_72dpi.jpg The Journal - Destinie Paige on curating an exhibition that redefines and challenges preconceived ideas on coming from ‘Endz.’ - Make it stand out Tolu Elusadé – Beyond Kiki Ball 230721 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1645562776246-IO6S1274536BX9SLTU30/KARIS+BEAUMONT_+Ozie_72dpi.jpg The Journal - Destinie Paige on curating an exhibition that redefines and challenges preconceived ideas on coming from ‘Endz.’ - Karis Beaumont – Ozie https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1645562791569-81W9Y7K0J37KCC7LKYLJ/PJ+HARPER_Heads_72dpi.jpg The Journal - Destinie Paige on curating an exhibition that redefines and challenges preconceived ideas on coming from ‘Endz.’ - PJ Harper - Heads https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/fca71819-6521-454b-85ba-588f255a7268/RENEE+MARIA+OSUBU_Play+Street_From+Dear+Philadelphia_72dpi.jpg The Journal - Destinie Paige on curating an exhibition that redefines and challenges preconceived ideas on coming from ‘Endz.’ - Make it stand out Renee Maria Osubu – Play Street from Dear Philadelphia https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/cd27fbd0-7684-434a-ab91-3033590f3199/MARIANA+DOS+SANTOS+PIRES_Talia_72dpi.jpg The Journal - Destinie Paige on curating an exhibition that redefines and challenges preconceived ideas on coming from ‘Endz.’ - Make it stand out Mariana Dos Santos Pires - Talia https://www.black-blossoms.online/the-journal/laced-cut-mix-the-new-art-exchange monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/731f4625-d58f-4bea-8f68-8fefb03ccaa6/28.10.21_Cut_%26_Mix_22.jpg The Journal - The Black Feminine and Black Masculine Principles of Selfhood. - Make it stand out Michael Forbes, ‘Auto Portrait: After Rembrandt A Black Man in a Wig and Baseball Cap’ 2018-2020. Photograph: Reece Straw, courtesy of New Art Exchange. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/2188cff1-f76b-44e4-b2f2-056f763590d8/28.10.21_Laced_32.jpg The Journal - The Black Feminine and Black Masculine Principles of Selfhood. - Make it stand out Rahima Gambo, ‘A Walk landscape VII, Maiduguri, Nigeria’ 2018. Photograph: Reece Straw, courtesy of New Art Exchange. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/e17607d7-5604-436b-8ce4-a67f1af3cab8/image-asset.jpeg The Journal - The Black Feminine and Black Masculine Principles of Selfhood. - Make it stand out Amartey Golding, ‘Foxtails’, 2015. Photograph: Reece Straw, courtesy of New Art Exchange. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/816a93c6-317c-4c7d-a508-880de04fd410/image-asset.jpeg The Journal - The Black Feminine and Black Masculine Principles of Selfhood. - Make it stand out Lerato Shadi, ‘Series #5’ 2021. Photograph Reece Straw, courtesy of New Art Exchange. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/706ba035-cb9c-45e7-951e-59b357592982/28.10.21_Laced_40.jpg The Journal - The Black Feminine and Black Masculine Principles of Selfhood. - Make it stand out Simnikiwe Buhlungu, ‘ Notes To Self: A Mixtapentana (Laced Mix), 2021. Photograph: Reece Straw, courtesy of New Art Exchange. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/08b6819b-7176-41d0-83da-e4404915a284/image-asset.jpeg The Journal - The Black Feminine and Black Masculine Principles of Selfhood. - Make it stand out Rotimi Fani-Kayode ‘Nothing to Lose I (Bodies of Experience)’ 1989. Photograph: Reece Straw, courtesy of New Art Exchange. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/70c4aa5d-2b2f-4daa-94d9-c69b4dc34090/28.10.21_Laced_50.jpg The Journal - The Black Feminine and Black Masculine Principles of Selfhood. - Make it stand out Michaela Yearwood-Dan, ‘Freedom don’t come for free’ 2021. Photograph: Reece Straw, courtesy of New Art Exchange. https://www.black-blossoms.online/the-journal/shannon-bonos-first-solo-exhibition-the-hands-that-hold-you monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/40c5fbc6-fecc-438f-93e4-6c610e386d88/The+hunters+task+in+hand+.jpg The Journal - I want to explore their spiritual functionality, rather than just their aesthetic beauty. - Make it stand out Shannon Bono ‘ The hunters task in hand',’ 2021 Oil, acrylic and spray paint on canvas https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/47c2dcd7-0a91-4889-bf11-204827290846/IMG_6529.png The Journal - I want to explore their spiritual functionality, rather than just their aesthetic beauty. - Make it stand out Shannon Bono in her studio at Anderson Contemporary Courtesy of Brynley Davies https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/0e729ea9-9827-4f9c-bddd-b5389fa96391/Guradian+of+spirits.jpg The Journal - I want to explore their spiritual functionality, rather than just their aesthetic beauty. - Make it stand out Shannon Bono, ’Guardian of spirits,’ 2021 Oil, acrylic and spray paint on canvas https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/500977c0-7943-46ff-8d0e-f128547142cd/The+powers+that+lie+behind.jpg The Journal - I want to explore their spiritual functionality, rather than just their aesthetic beauty. - Make it stand out Shannon Bono, ‘The powers that lie behind,’ 2021 Oil, acrylic and spray paint on canvas ‘The Hands that Hold You’ is now open at Anderson Contemporary; more information can be found here. Find out more about Anderson Contemporary artist and curatorial residencies here. https://www.black-blossoms.online/the-journal/thebodyremembers monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/c6531c40-4cb5-44aa-9020-57a02cdb2868/Fuel%27s+The+Body+Remembers+By+Heather+Agyepong+%28c%29+Myah+Jeffers+%283%29.jpg The Journal - I grew more and more interested in recovery and healing, which led me to movement practice as a form of release. - Make it stand out Fuel's The Body Remembers By Heather Agyepong (c) Myah Jeffers https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/a5e3d5c7-53c7-43d0-902a-658d5ec3e7d4/Fuel%27s+The+Body+Remembers+by+Heather+Agyepong+-+.+Photographed+at+TramwayDance+International+Glasgow+21+%28c%29+Brian+Hartleystillmotion+%283%29.jpeg The Journal - I grew more and more interested in recovery and healing, which led me to movement practice as a form of release. - Make it stand out Fuel's The Body Remembers by Heather Agyepong. Photographed at Tramway Dance International Glasgow 21 (c) Brian Hartley https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/81075278-2428-4857-8256-58206cc6a080/Fuel%27s+The+Body+Remembers+By+Heather+Agyepong+%28c%29+Myah+Jeffers+%285%29.jpg The Journal - I grew more and more interested in recovery and healing, which led me to movement practice as a form of release. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/45430f1a-56e5-4a51-9c72-b8cdc87092e9/Fuel%27s+The+Body+Remembers+by+Heather+Agyepong+-+.+Photographed+at+TramwayDance+International+Glasgow+21+%28c%29+Brian+Hartleystillmotion+%284%29.jpeg The Journal - I grew more and more interested in recovery and healing, which led me to movement practice as a form of release. - Make it stand out Fuel's The Body Remembers by Heather Agyepong.Photographed at TramwayDance International Glasgow 21 (c) Brian Hartley https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/f5ddffa9-56c3-4fd6-8825-3cac914a4222/Fuel%27s+The+Body+Remembers+by+Heather+Agyepong+-+.+Photographed+at+TramwayDance+International+Glasgow+21+%28c%29+Brian+Hartleystillmotion+%282%29.jpeg The Journal - I grew more and more interested in recovery and healing, which led me to movement practice as a form of release. - Make it stand out Fuel's The Body Remembers by Heather Agyepong. Photographed at Tramway Dance International Glasgow 21 (c) Brian Hartley https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/d739f891-8a65-41b1-aa29-4f057103052b/Fuel%27s+The+Body+Remembers+By+Heather+Agyepong+%28c%29+Myah+Jeffers+%281%29.jpg The Journal - I grew more and more interested in recovery and healing, which led me to movement practice as a form of release. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.black-blossoms.online/the-journal/scratching-the-surface monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1634030371711-JYV8OSGQAAIFX19G034H/image4.jpeg The Journal - Portraiture is more than what we look like, it is also about our memories and internal dialogue(s). - Make it stand out Chloe Filani sifting with her sound piece entitled ‘Negro Ecstasy’ https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1634030302585-DGIALXROGHSDOZQMD9UH/image-asset.jpeg The Journal - Portraiture is more than what we look like, it is also about our memories and internal dialogue(s). - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1634030514922-XB0FL68835JKR1NGZZ87/image8.jpeg The Journal - Portraiture is more than what we look like, it is also about our memories and internal dialogue(s). - Make it stand out Courtenay Welcome ‘I as ’ 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1634031506717-PUHKMLPOSEKSTLP1LOWR/Curator-Pacheanne-Anderson-FAD-magazine-1024x1536.jpg The Journal - Portraiture is more than what we look like, it is also about our memories and internal dialogue(s). - Make it stand out Curator Pacheanne Anderson photo: Cicely Grace https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1634030981621-JFTEQOX9LCC6UVS19C2P/image9.jpeg The Journal - Portraiture is more than what we look like, it is also about our memories and internal dialogue(s). - Make it stand out Courtenay Welcome ‘I as a fact’ 2021 https://www.black-blossoms.online/the-journal/stay-woke-kids monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1631357392648-XN09NIEOKCM8Q5P98QTY/Stay+Woke+Kids.jpeg The Journal - “Stay woke, because despite white majority culture thinking it's a slur, we don't have to see it in the same way” - Kazvare - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1631364887617-4FR9BIH4YVQ8CBKQL954/2175.jpg The Journal - “Stay woke, because despite white majority culture thinking it's a slur, we don't have to see it in the same way” - Kazvare - The Real McCoy The Real McCoy https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1631364886019-WYPT0GCP8P17A1TABNCC/p063j3tb.jpg The Journal - “Stay woke, because despite white majority culture thinking it's a slur, we don't have to see it in the same way” - Kazvare - Famalam Famalam https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1631368474874-BF6WO1LHITYD9EQ47ERX/Screen+Shot+2021-09-11+at+14.43.21.png The Journal - “Stay woke, because despite white majority culture thinking it's a slur, we don't have to see it in the same way” - Kazvare https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1631366885324-8PADVFH231UQ14L8FQYP/Screen+Shot+2021-09-11+at+14.24.41.png The Journal - “Stay woke, because despite white majority culture thinking it's a slur, we don't have to see it in the same way” - Kazvare - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1631360720438-6RH95V47U27FMTDTD3JH/Screen+Shot+2021-09-11+at+12.42.45.png The Journal - “Stay woke, because despite white majority culture thinking it's a slur, we don't have to see it in the same way” - Kazvare https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1631360720058-KVGDE00ZJC4XV2RWC510/Screen+Shot+2021-09-11+at+12.43.16.png The Journal - “Stay woke, because despite white majority culture thinking it's a slur, we don't have to see it in the same way” - Kazvare https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1631361179334-UJTA2Z9Q7O22CXB86SY0/Knox%2BKazvare.jpg The Journal - “Stay woke, because despite white majority culture thinking it's a slur, we don't have to see it in the same way” - Kazvare - Make it stand out Author and Illustrator, Kazvare https://www.black-blossoms.online/the-journal/emily-moore-black-roses monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1630419500284-RUIDNWHA01SG7GHLYKTR/IMG_2685.JPG The Journal - The idea that Black Roses only exist in the imagination is something so poetic and potent. - Make it stand out Black Roses, installation view at Ordovas, 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1630420779078-YMD9YX3BPH6KEMFMJN1D/IMG_2715.JPG The Journal - The idea that Black Roses only exist in the imagination is something so poetic and potent. - Make it stand out Black Roses, installation view at Ordovas, 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1630421281230-QXH9OVJ3CBGQMRNC4NVI/IMG_2659.JPG The Journal - The idea that Black Roses only exist in the imagination is something so poetic and potent. - Make it stand out Emily Moore, Dancing Black Roses, 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1630420127832-V0WXPZZZ3NBLAIQGQIXX/Valerie+Beston+with+Bacon_cropped.png The Journal - The idea that Black Roses only exist in the imagination is something so poetic and potent. - Make it stand out Unknown photographer, Francis Bacon and Valerie Beston at the opening of Bacon's Grand Palais exhibition, Paris, 1971 (detail) © The Estate of Francis Bacon. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1630419306534-VN9BT5UQ9NI53DAI0SX8/WhatsApp+Image+2021-08-31+at+15.13.10.jpeg The Journal - The idea that Black Roses only exist in the imagination is something so poetic and potent. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1630419317000-POI89TXVAP9EXPV4C7KA/unnamed+%282%29.jpg The Journal - The idea that Black Roses only exist in the imagination is something so poetic and potent. https://www.black-blossoms.online/the-journal/in-reality-these-things-need-to-be-said monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628875121844-88QSTAMG0FE2YZLR0NXH/image-asset.jpeg The Journal - In reality, these things need to be said. - Make it stand out Kim Thompson ‘Robin Hood Chase’ 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628849707233-0F89BDYE6Q9G4FSWXYG5/Kim+Thompson%2C+2021+Robin+Hood+Chase%2C+10.JPG The Journal - In reality, these things need to be said. - Make it stand out Kim Thompson ‘Robin Hood Chase’ 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628862923547-JFTCR1XD31GK44HL6R9I/Arit_Emmanuela_Etukudo3.png The Journal - In reality, these things need to be said. - Make it stand out Arit Emmanuela Etukudo, As Long as There is Bone, There is Language, 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628872151084-IK38OEYL4XEHJYER5ZNH/Great-ish.00_04_36_14.Still006.jpg The Journal - In reality, these things need to be said. - Make it stand out De'Anne Crooks,, Greati-ish: The Gaslight of a Nation, 2020 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628877946297-NNMBE1K7NHNH40B1LE28/Kim+Thompson%2C+2021+Robin+Hood+Chase%2C+10+%281%29.JPG The Journal - In reality, these things need to be said. - Make it stand out Kim Thompson ‘Robin Hood Chase’ 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628867349563-CBBPQFU68DJEX0UUVJF3/Great-ish.00_05_44_14.Still007.jpg The Journal - In reality, these things need to be said. - Make it stand out De'Anne Crooks,, Greati-ish: The Gaslight of a Nation, 2020 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628862939712-HDARISZQWT9V26CKTY4F/Arit_Emmanuela_Etukudo1.png The Journal - In reality, these things need to be said. - Make it stand out Arit Emmanuela Etukudo, As Long as There is Bone, There is Language, 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628866356406-9DXCY7YTDYGJUGKTUGXJ/Zethu+Maseko%2C+2021%2C+Water+Words4.JPG The Journal - In reality, these things need to be said. - Make it stand out Zethu Maseko, ‘Water Words’ 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628862936078-GMN1SPJJUGZDHO3RRH6R/Rene+Matic%CC%81%2C+2021%2C+the+lovers3.JPG The Journal - In reality, these things need to be said. - Make it stand out Rene Matic, the lovers, 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628863628462-3YDBTMF27G86JQIJESCX/Zethu+Maseko%2C+2021%2C+Water+Words1.JPG The Journal - In reality, these things need to be said. - Make it stand out Zethu Maseko, ‘Water Words’ 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628863020818-MBHE3NHWSK1B18GL4AIF/Public1.JPG The Journal - In reality, these things need to be said. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1628870445161-B5O7FHOIAWS00U4OX3AA/De%27Anne+Crooks%2C+2020%2C+Greati-ish_+The+Gaslight+of+a+Nation3.JPG The Journal - In reality, these things need to be said. - Make it stand out De'Anne Crooks,, Greati-ish: The Gaslight of a Nation, 2020 https://www.black-blossoms.online/the-journal/abstraction-is-a-global-language-and-its-being-used-in-so-many-different-cultures-in-so-many-different-contexts monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1624981300454-TTJS9OHFKPF50GL4WXUF/Rang_UntitledII_A5-cLandscape.jpg The Journal - Abstraction is a global language, and it is being used in so many different cultures, in so many different contexts. - Make it stand out Sara Choudhrey’s Detail: Untitled II, رنگ (Rang) series, 2020 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1624980071592-F5H22WXF8M2WUNA8JKN8/image-asset.jpeg The Journal - Abstraction is a global language, and it is being used in so many different cultures, in so many different contexts. - Make it stand out Linett Kamala, My heart will always be in Brixton (Olive Morris), 2019 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1624970205267-N2ZA77R8FHA3ZA8SFZB3/image-asset.jpeg The Journal - Abstraction is a global language, and it is being used in so many different cultures, in so many different contexts. - Make it stand out Sharon James, Metropolis, 2021 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1624981007416-B845KRAOFE3XVL4LNKBY/Screen+Shot+2021-06-29+at+14.08.17.png The Journal - Abstraction is a global language, and it is being used in so many different cultures, in so many different contexts. - Make it stand out Entrance of ELEMENTS, 2021 (Online Exhibition) https://www.black-blossoms.online/the-journal/blue-power-and-arnt-i-a-woman monthly 0.5 2023-03-18 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1623480263693-HVC82S6JMS8PM97HTA8E/karen_install_-21.jpg The Journal - It's an impossible situation and prayer certainly helps to alleviate the fear' and this religious undertone is felt throughout the artwork. - Make it stand out Karen McLean, 'Ar'n't I a Woman!', 2021, installation view https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1623479475337-FU6KZZSENBULK5NW3HTC/karen_install_-79.jpg The Journal - It's an impossible situation and prayer certainly helps to alleviate the fear' and this religious undertone is felt throughout the artwork. - Make it stand out Karen McLean, 'Ar'n't I a Woman!', 2021, installation view https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1623478864501-S5AGT1U584G23QJZ4EI9/karen_install_-41a.jpg The Journal - It's an impossible situation and prayer certainly helps to alleviate the fear' and this religious undertone is felt throughout the artwork. - Make it stand out Karen McLean, 'BLUE POWER', 2021, installation view. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1623479590644-7W0PIMMEH9BAN33PSWXO/karen_install_-53.jpg The Journal - It's an impossible situation and prayer certainly helps to alleviate the fear' and this religious undertone is felt throughout the artwork. - Make it stand out Karen McLean, 'BLUE POWER', 2021, installation view https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1623442457817-3CN653LD0RMA9128IKP4/karen_install_-59.jpg The Journal - It's an impossible situation and prayer certainly helps to alleviate the fear' and this religious undertone is felt throughout the artwork. - Make it stand out Karen McLean, 'BLUE POWER', 2021, installation view. Image courtesy of Block 336 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1623444324701-LLAW4P7LDZBOKUG419NX/karen_install_-51.jpg The Journal - It's an impossible situation and prayer certainly helps to alleviate the fear' and this religious undertone is felt throughout the artwork. - Make it stand out Karen McLean, 'BLUE POWER', 2021 https://www.black-blossoms.online/news daily 0.75 2025-05-26 https://www.black-blossoms.online/news/the-black-heart-foundation-and-black-blossoms-school-of-art-culture-in-reshaping-art-history monthly 0.5 2025-05-26 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/a32ab9d2-3712-40a4-8cb3-78c0fa0d3578/BB+x+Tate News - Join The Black Heart Foundation and Black Blossoms School of Art &  Culture in Reshaping Art History. - Make it stand out Tate Britain's Tate Late curated by Black Blossoms, 2023 https://www.black-blossoms.online/about daily 0.75 2023-07-25 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/4ed1b897-6dea-4b27-be46-2fab04fc442f/Photographers-gallery-logo.png https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1b922a29-0e5a-42d2-a851-c994701f11f5/OHG_External-Logo_Black.png https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/dcfcd38d-d58e-4398-82ab-72fe8677d347/North_Tate_001_Logo-777x500.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/b5e82e1f-3ea6-451e-b549-0c8592a55a80/Yahoo-logo.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/c0cebe08-969b-41ac-9db8-aec56b84bfc4/Lyric_Hammersmith_Logo.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/4824b3ce-5617-4b92-a964-204da5e11a6a/bOgat22P_400x400.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/a405156c-d13e-4e60-8e03-ee4aa6fced17/download.png https://www.black-blossoms.online/contact daily 0.75 2023-01-21 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/bb986582-6ee1-4acd-a104-916f8ff51eef/collage--4.png https://www.black-blossoms.online/press daily 0.75 2023-07-25 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/8940883d-114b-443b-9f06-6f9fa8fbd585/WhatsApp+Image+2023-07-25+at+23.04.55.jpeg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/bd37dc56-b97d-4198-83fd-ba632b5bd086/image-asset.jpeg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1596931338033-VMH03YP867ZUN28O78XN/image-asset.jpeg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1611756957193-DMFUD8NGYGCWZARNC2RJ/Screen+Shot+2021-01-27+at+14.15.08.png https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1598445787398-K1LM35IHWFRO04ZN0APE/image-asset.jpeg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1604740980156-GJO4JI0AGQ8ESVHJR5QR/image-asset.jpeg https://www.black-blossoms.online/learning-platform-black-british-art daily 0.75 2021-01-07 https://www.black-blossoms.online/learning-platform-art-and-revolutionary-china daily 0.75 2021-02-04 https://www.black-blossoms.online/learning-platform-art-of-devotion daily 0.75 2021-12-14 https://www.black-blossoms.online/privacy daily 0.75 2022-02-21 https://www.black-blossoms.online/colouringinwithkazvare daily 0.75 2021-09-18 https://www.black-blossoms.online/satire-in-theworks-ofblack-visual-artists daily 0.75 2021-10-10 https://www.black-blossoms.online/britains-caribbean-artists-movement-1966-1972 daily 0.75 2021-10-07 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1632386313866-WRDMRRJX6XVWMEZS6YXC/Screen+Shot+2021-09-23+at+09.37.57.png Britain’s Caribbean Artists Movement (1966 – 1972) - Make it stand out Errol Lloyd, The Lesson, 1972. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1632385765930-JSWKPSO9IKQ8H6G7X0FC/6036b1c3ae53416e83435ee9_CAM_10_2_1-01_Compressed.jpg Britain’s Caribbean Artists Movement (1966 – 1972) - Make it stand out Inside the West Indian Students Centre, a regular venue for CAM forums and events https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1632394296042-G71I6CT8QH2BBD6OQHGH/4952.jpg Britain’s Caribbean Artists Movement (1966 – 1972) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1632389212653-A889NMY395VHM8DUHV2X/licensed-image.jpeg Britain’s Caribbean Artists Movement (1966 – 1972) - Make it stand out Ronald Moody in his workshop https://www.black-blossoms.online/learning-platform-britains-caribbean-artists-movement-1966-1972-1 daily 0.75 2021-12-14 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1632386313866-WRDMRRJX6XVWMEZS6YXC/Screen+Shot+2021-09-23+at+09.37.57.png Britain’s Caribbean Artists Movement (1966 – 1972) - Make it stand out Errol Lloyd, The Lesson, 1972. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1632389212653-A889NMY395VHM8DUHV2X/licensed-image.jpeg Britain’s Caribbean Artists Movement (1966 – 1972) - Make it stand out Ronald Moody in his workshop https://www.black-blossoms.online/art-and-revolutionary-china-copy daily 0.75 2021-12-05 https://www.black-blossoms.online/learning-platform-art-of-devotion-1 daily 0.75 2021-12-05 https://www.black-blossoms.online/home daily 1.0 2023-07-25 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/c5c0b36e-32f9-42c3-9b53-009bc61c1feb/IMG_0828.jpg Home Year 4 Kender Primary School, Bernice Mulenga and Amanda Holiday 'Yummy in my Tummy', 2022. Curated by Black Blossoms, commissioned by Southwark Council - Future High Street Fund. Photo: Brynley Odu Davies https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/3d72a8e9-74db-4630-a9e6-459d9ed7557b/1d935d75e5a53514592766662cb14cbe62853f5a_1620.jpg Home Azarra Amoy & Linett Kamala 'We Are One Family' mural on Freston Road, 2020. Curated by Black Blossoms commissioned by Kensington and Chelsea Artweek. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/51ce6d74-8d05-45b2-8ed2-d0b03818aa76/IMG_3002.jpg Home Roland Lawar and Anthony Laurencin 'As Seen By Me' a duo exhibition co-curated by Studio West and Black Blossoms. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1680449815695-OLGGEMAW1H2L2IIDYQR2/Tate+Lates_TB_March_2023_038.jpg Home https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/2b2dd7c7-bc6b-4096-bb48-863d380a1b7c/Black-Art-reprise-scaled.jpg Home What does Black Art Mean to You? A public digital exhibition featuring artworks from Black artist alongside specially commissioned portraits of Black creatives, all of whom share their thoughts and appreciation of Black Art. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/23f6ee6d-7fa3-47ca-9e07-63a7fb8425be/WhatsApp%2BImage%2B2019-11-28%2Bat%2B20.42.19.jpeg Home If We’re Going To Heal, Let It Be Glorious, 2017. A UK wide touring exhibition exploring socio-political issues, feminism and self love from the perspective of black women artists, living in Britain in 2017. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/4fab14fd-464e-49b2-b021-309f93df982a/BGKCxBBxTL%2890of126%29.jpg Home https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/ed48e6c1-4bc8-46ee-aee7-a87c91852e2b/Tate+Lates_TB_March_2023_154.jpg Home https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/f2a89c9e-7374-490e-98ec-137d9bc58690/Tate+Lates_TB_March_2023_175.jpg Home https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1674081455250-WQN3N9R61I7U64C3L3XI/MAXIMUS_HollandPark_BLACKBLOSSOMS_P1439909.jpg Home https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/b9675d4d-c712-4e34-b277-94b57030339e/Tate+Lates_TB_March_2023_243.jpg Home https://www.black-blossoms.online/art-on-the-underground-x-black-blossoms daily 0.75 2022-08-16 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/c9a0accb-bac1-409c-821c-93e91fef87a5/logo.png Art on the Underground x Black Blossoms - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/6182a5a6-fa02-4251-8801-183186de3904/larry-achiampong-african-tube-roundel-design_dezeen_2364_col_14-852x568.jpg Art on the Underground x Black Blossoms - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/d4e30dc5-e480-4edb-84fd-224bf7724b3e/1.png Art on the Underground x Black Blossoms - Make it stand out Joy Labinjo, '5 more minutes', 2021. Brixton Underground station. Commissioned by Art on the Underground. Courtesy the artist and Tiwani Contemporary. Photo: Angus Mill, 2021 https://www.black-blossoms.online/art-and-activism-in-the-age-of-black-girl-magic daily 0.75 2022-06-15 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/1b85418a-0343-4cea-b342-99e9e493f88a/1.png Art and Activism in the Age of Black Girl Magic - Art and Activism in the Age of Black Girl Magic ONLINE LECTURES EVERY TUESDAY 6:30pm - 7:45pm (GMT) 12 July - 2 August https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/f40c752e-6663-4de7-9ae6-c94d753aea81/joy-labinjo-terrible-isnt-it.jpeg Art and Activism in the Age of Black Girl Magic - Make it stand out Joy Labinjo ‘Terrible, isn’t it? 2021 Courtesy of the artist and Tiwani Contemporary https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/946ebc28-77fe-450f-aec5-c3f1a1ee9323/01.jpg Art and Activism in the Age of Black Girl Magic - Make it stand out Joy Labinjo ‘Wash Day’, 2022 Courtesy of the artist and Tiwani Contemporary https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/858b782f-73c7-42f9-91e4-3308bc19cd3c/tiwanicontemporary-joy-labinjo-jane-and-mary-jane-2019-3.jpg Art and Activism in the Age of Black Girl Magic - Make it stand out Joy Labinjo ‘Jane & Mary,’ 2019. Courtesy of the artist and Tiwani Contemporary. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/0aa3399b-db8d-49f8-a20f-07f813f2f5f7/tiwanicontemporary-joy-labinjo-what-is-the-effect-of-colonisation-2020.jpg Art and Activism in the Age of Black Girl Magic - Make it stand out Joy Labinjo, WHAT IS THE EFFECT OF COLONISATION? 2020. Courtesy of the artist and Tiwani Contemporary. https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/c9a0accb-bac1-409c-821c-93e91fef87a5/logo.png Art and Activism in the Age of Black Girl Magic - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.black-blossoms.online/book-now-black-feminist-ecopoetics daily 0.75 2023-09-06 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/b0715af4-a643-4887-bdba-113b3e3cd6d8/OHG_External-Logo_Black.png Book Now: Black Feminist Ecopoetics - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.black-blossoms.online/book-now-art-in-the-age-of-black-girl-magic-1 daily 0.75 2022-06-09 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/de3288e8-cc0e-4287-970a-abe968f92975/logo.png Book Now: Art in the Age of Black Girl Magic (Copy) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.black-blossoms.online/membership-aabgm daily 0.75 2022-07-10 https://www.black-blossoms.online/black-to-the-future-afr0-futurism-as-archival-practice-1 daily 0.75 2023-08-30 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/86db6d60-6a3f-4bec-a128-771b2adb5d36/TFL+x+Larry+.jpeg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/faa079f2-794f-40d7-96cd-f8738d51d9eb/HS1+%28No+Logo%29.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/2332f0a6-bb91-49f2-82a6-f192034cf689/11.04.22_Art_on_the_Underground_Larry_Achiampong_Westminster109.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/faa7a7b0-687b-437f-9215-239f00f57bc9/larry-achiampong-african-tube-roundel-design_dezeen_2364_col_18-852x568.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/52d76fa1-670d-4df3-8cfd-e8a0b8f6095e/177A7821_lowres-490x327.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/26238fbf-0c92-4d63-8229-d46165503c0c/Image+09-08-2022+at+12.57.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/c9a0accb-bac1-409c-821c-93e91fef87a5/logo.png Black to the Future: Afr0-Futurism as Archival Practice - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.black-blossoms.online/book-now-black-to-the-future-afr0-futurism-as-archival-practice daily 0.75 2022-08-17 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/de3288e8-cc0e-4287-970a-abe968f92975/logo.png Book Now: Black to the Future: Afr0-Futurism as Archival Practice - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.black-blossoms.online/learning-platform-registration-black-to-the-future daily 0.75 2022-08-15 https://www.black-blossoms.online/welcome-uncommon-observations-photography-image-making-and-the-black-diaspora daily 0.75 2022-12-04 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/6cf39d70-59f7-493a-9595-edd6980259ec/AOTU+-+Rhea+Storr+-+Stratford+-+Thierry+Bal-26_lowres.jpg https://www.black-blossoms.online/uncommon-observations daily 0.75 2022-11-29 https://www.black-blossoms.online/picturing-blackness-colonial-documentation-and-the-white-gaze daily 0.75 2022-12-04 https://www.black-blossoms.online/a-practice-of-refusal-black-portraiture-in-britain-and-beyond daily 0.75 2022-12-04 https://www.black-blossoms.online/performing-black-culture-contested-spaces-and-rural-landscapes daily 0.75 2022-12-04 https://www.black-blossoms.online/the-ground-that-moves-us-in-conversation-with-rhea-storr daily 0.75 2022-12-04 https://www.black-blossoms.online/coursepitches daily 0.75 2023-02-06 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/ade2a2df-834a-43b3-ac0e-9ba2593aa115/6b782ebd-0897-40be-ac1e-8e68c866db51.JPG https://www.black-blossoms.online/interveiw daily 0.75 2023-03-16 https://www.black-blossoms.online/new-page-1 daily 0.75 2023-07-21 https://www.black-blossoms.online/black-feminist-ecopoetics daily 0.75 2023-09-05 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/5ad9568f-543b-44df-8e92-662d22b32429/Untitled-1.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/86241b21-adf8-446f-ae80-adf3ea38bec1/unnamed+%281%29.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/342b889e-0327-4dab-8132-3b3e6d45abc6/A_Tree_Says_Phoebe_Boswell_172+%281%29.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/576838b9-9d98-4933-b8b5-a2c333180647/OHG_External-Logo_Black.png https://www.black-blossoms.online/book-now-art-and-activism-in-the-age-of-black-girl-magic-1 daily 0.75 2023-07-24 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/de3288e8-cc0e-4287-970a-abe968f92975/logo.png Book Now: Art and Activism in the Age of Black Girl Magic (Copy) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.black-blossoms.online/new-page-3 daily 0.75 2023-08-30 https://www.black-blossoms.online/endurancea-vision-of-resilience-in-a-precarious-world daily 0.75 2023-09-06 https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/6c39e733-3c5d-4558-a10e-00c3c8464b48/AOTU-Shanti-Panchal-Thierry-Bal-2_lowres-1024x683.jpg https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/609c096f-a025-42e3-998c-ea525ab84c95/AD_headshot_2023.JPG https://images.squarespace-cdn.com/content/v1/5f1df0715616be2036778977/5701e6d2-c982-4504-a883-80b58bcf0416/Dellow+St+Mural..jpg 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